
Truly ahead of its time, its flaws are--in retrospect--endearing. And you'll have to decide which is creepier: Paul Williams as Swan or the music (which he wrote) actually being good.




While visiting my I'd Offer You Some friends this weekend, I found on some premium channel's on demand list one of my favorite 80's horror movies ever: Night of the Creeps. Predating shiny hot Nathan Fillion's Slither by 2 decades, this movie broke every rule of the genre and came out winning. It's a funny, campy, gross-out "evil renegade alien releases slugs that turn college kids into zombies" flick that is too fucking fun to believe. Add a gay sidekick (who actually outs himself in his suicide tape), characters whose last names are all horror director legends', and the greatest slug effects before CGI: it becomes a true cult classic. And I'm not the only gay who thinks so.
Over the weekend, one of the many great movies I watched was Vacancy (with Luke Wilson and Kate Beckinsale). The plot from beginning to end is not original; but the directing, acting, and cinematography is. The movie is actually a well-produced 60's drive-in horror flick, and it is obviously aware of it (the opening credits alone give you all the proof you need).